Markus Kaesler : Reduction is increasingly a central motif in my work.
The simplification of form, the return of photography to its most basic optical rules, and the subsequent reduction in color, form the basis of my photographic work.The resulting implementation, with self-made pinhole cameras, I see as a logical consequence of this: an art of “less is more,” which for me is an antidote to a time I experience as fast moving and restless. Not only in the conceptual approach but also in the actual working process. I am fascinated by the possibilities this confrontation with fundamental photographic methods offers me, in the conceptual and compositional area as well as in the selection of the materials.